


Sonnet 73
Summary and Bengali Meaning WBCHSE
Explore Sonnet 73 Summary and Bengali Meaning WBCHSE for Class 12, 4th Semester students. Understand Shakespeareâs thoughts on old age, mortality, and the passage of time through vivid images of autumn, twilight, and a dying fire. Learn the poemâs meaning in Bengali to enhance comprehension and exam preparation.
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About the Poet:Â
William Shakespeare (1564â1616) was an English poet, playwright, and actor, often considered the greatest writer in the English language. He wrote 39 plays, 154 sonnets, and two long narrative poems. Known as the âBard of Avon,â Shakespeare dealt with universal themes such as love, power, fate, and human nature. His works have left a lasting influence on literature and the arts, and his legacy remains unmatched even today.
Substance of the Poem (Sonnet 73)
In Sonnet 73, Shakespeare reflects on old age and the closeness of death. He uses three powerful images from nature and life. First, he compares himself to late autumn, when trees are almost bare, and birds no longer sing. Then, he compares his life to twilight, the fading light of day that is soon covered by night, a symbol of death. Finally, he sees himself as a dying fire, resting on the ashes of youth, slowly burning out. These images show that his life is nearing its end.
The poet finally says that this awareness of death makes love stronger. When we know that something will not last forever, we value it more deeply. Thus, Shakespeare teaches that the shortness of life should not cause despair, but should make human love more precious and intense.
Short Type and Long Type Questions Answers:Â Sonnet 73 |
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Structure of the Poem
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Form: The poem is a Shakespearean sonnet.
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Lines: It has 14 lines in total.
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Division: The sonnet is divided into three quatrains (each of 4 lines) and a final rhyming couplet (2 lines).
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Rhyme Scheme:
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Quatrain 1 â ABAB
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Quatrain 2 â CDCD
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Quatrain 3 â EFEF
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Couplet â GG
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So, the rhyme scheme is ABAB CDCD EFEF GG.

Comment as a Sonnet:
A sonnet is a short poem of 14 lines. It typically features a fixed rhyme scheme and often explores themes such as love, life, time, or human nature. Shakespeare wrote Shakespearean sonnets, which consist of three quatrains and a final couplet, with the rhyme scheme ABAB CDCD EFEF GG.
Sonnet 73 is a good example of a Shakespearean sonnet. It talks about aging, death, and the passage of time. Each quatrain uses a natural imageâautumn, twilight, and a dying fireâto show the poetâs old age. The final couplet gives the main message: knowing life is short makes love stronger and more precious. Thus, the structure is effective because it moves step by step from vivid images of decline to a wise message about love and life. The fixed rhyme scheme and 14-line pattern make it a perfect Shakespearean sonnet.
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Critical Appreciation and Central Idea
Sonnet 73 is one of Shakespeareâs most moving sonnets, where he reflects on aging and the nearness of death. The poem is remarkable for its use of powerful imagery. The poet compares old age to late autumn, twilight, and a dying fire. These natural symbols create a vivid picture of decline and remind us of the passage of time. The sonnet also shows Shakespeareâs mastery of language, as he conveys deep emotions in simple but memorable lines. The tone is sad yet calm, full of acceptance.
The central idea of the poem is that the awareness of mortality strengthens love. When we realize that life is short and death is certain, we learn to value love and human bonds more deeply. Shakespeare suggests that transience does not weaken affection, but instead makes it more intense and precious.
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Appropriateness of the Title of Sonnet 73
The title Sonnet 73 is appropriate because it clearly reflects the main theme of the poemâaging and the nearness of death. The number â73â refers to the position of the sonnet in Shakespeareâs collection, but it also indirectly suggests the idea of old age, as seventy-three is itself an advanced stage of life. In the poem, the poet compares himself to autumn, twilight, and a dying fire. These images show the gradual fading of life and the certainty of death. Thus, the number in the title works symbolically, hinting at the decline of age. Moreover, the sonnet is not only about decay but also about the growth of love through awareness of mortality. Therefore, the title is suitable as it expresses both the stage of life Shakespeare describes and the deeper message of cherishing love before it is lost.
(āϏāύā§āĻ ā§ā§ŠÂ āĻļāĻŋāϰā§āύāĻžāĻŽāĻāĻŋ āϝāĻĨāĻžāϰā§āĻĨ, āĻāĻžāϰāĻŖ āĻāĻāĻŋ āĻāĻŦāĻŋāϤāĻžāϰ āĻŽā§āϞ āĻāĻžāĻŦâāĻŦāĻžāϰā§āϧāĻā§āϝ āĻāĻŦāĻ āĻŽā§āϤā§āϝā§āϰ āύāĻŋāĻāĻāϤāĻžâāϏāĻ āĻŋāĻāĻāĻžāĻŦā§ āĻĒā§āϰāϤāĻŋāĻĢāϞāĻŋāϤ āĻāϰā§āĨ¤ āϏāĻāĻā§āϝāĻž âā§ā§Šâ āĻļā§āĻā§āϏāĻĒāĻŋāϝāĻŧāϰā§āϰ āϏāύā§āĻ āϏāĻāĻāϞāύ⧠āĻāϰ āĻ āĻŦāϏā§āĻĨāĻžāύ āύāĻŋāϰā§āĻĻā§āĻļ āĻāϰā§, āϤāĻŦā§ āĻāĻāĻŋ āĻāĻāĻļāĻŋāĻāĻāĻžāĻŦā§ āĻŦāĻžāϰā§āϧāĻā§āϝā§āϰ āĻāĻžāĻŦāύāĻžāĻāĻŋāĻā§āĻ āĻĒā§āϰāĻāĻžāĻļ āĻāϰā§, āĻāĻžāϰāĻŖ āϤāĻŋāϝāĻŧāĻžāϤā§āϤāϰ āĻŦāĻāϰ āύāĻŋāĻā§āĻ āĻā§āĻŦāύā§āϰ āĻāĻāĻāĻŋ āĻāύā§āύāϤ āĻāĻŦāĻ āĻŦāϝāĻŧāϏ⧠āϧāĻžāĻĒāĨ¤ āĻāĻŦāĻŋāϤāĻžāϝāĻŧ āĻāĻŦāĻŋ āύāĻŋāĻā§āĻā§ āĻļāϰā§āĻāĻžāϞ, āĻā§āϧā§āϞāĻŋ āĻāĻŦāĻ āύāĻŋāĻā§ āĻāϏāĻž āĻāĻā§āύā§āϰ āϏāĻā§āĻā§ āϤā§āϞāύāĻž āĻāϰā§āĻā§āύāĨ¤ āĻāĻ āĻāĻŋāϤā§āϰāĻā§āϞ⧠āĻā§āĻŦāύā§āϰ āĻā§āϰāĻŽāĻļ āĻā§āώāϝāĻŧ āĻāĻŦāĻ āĻŽā§āϤā§āϝā§āϰ āύāĻŋāĻļā§āĻāĻŋāϤāϤāĻž āĻĻā§āĻāĻžāϝāĻŧāĨ¤ āϤāĻžāĻ āĻļāĻŋāϰā§āύāĻžāĻŽā§āϰ āϏāĻāĻā§āϝāĻž āĻĒā§āϰāϤā§āĻā§ āĻ āϰā§āĻĨā§ āĻāĻžāĻ āĻāϰā§, āĻŦāĻžāϰā§āϧāĻā§āϝā§āϰ āĻšā§āϰāĻžāϏā§āϰ āĻĻāĻŋāĻā§ āĻāĻā§āĻāĻŋāϤ āĻĻā§āϝāĻŧāĨ¤ āϤāĻžāĻāĻžāĻĄāĻŧāĻž, āϏāύā§āĻāĻāĻŋ āĻļā§āϧā§āĻŽāĻžāϤā§āϰ āĻā§āώāϝāĻŧ āĻŦāĻž āĻŽā§āϤā§āϝā§āϰ āĻāĻĨāĻž āĻŦāϞ⧠āύāĻž, āĻŦāϰāĻ āĻŽā§āϤā§āϝā§āϰ āϏāĻā§āϤāύāϤāĻžāϰ āĻŽāĻžāϧā§āϝāĻŽā§ āĻāĻžāϞā§āĻŦāĻžāϏāĻžāϰ āĻŦā§āĻĻā§āϧāĻŋ āĻāĻŦāĻ āĻŽā§āϞā§āϝāĻŦāĻžāύ āĻšāĻāϝāĻŧāĻžāϰ āĻāĻĨāĻžāĻ āĻĒā§āϰāĻāĻžāĻļ āĻāϰā§āĨ¤ āϏā§āϤāϰāĻžāĻ āĻļāĻŋāϰā§āύāĻžāĻŽāĻāĻŋ āĻāĻĒāϝā§āĻā§āϤ, āĻāĻžāϰāĻŖ āĻāĻāĻŋ āĻāĻŦāĻŋāϰ āĻŦāϝāĻŧāϏā§āϰ āϏā§āϤāϰ āĻāĻŦāĻ āĻĒā§āϰā§āĻŽā§āϰ āĻā§āϰā§āϤā§āĻŦāĻā§ āϏā§āύā§āĻĻāϰāĻāĻžāĻŦā§ āĻĒā§āϰāĻāĻžāĻļ āĻāϰā§āĨ¤)
Line by Line Bengali Meaning
1st Quatrain
That time of year thou mayst in me behold,
āϤā§āĻŽāĻŋ āĻāĻŽāĻžāϰ āĻŽāϧā§āϝ⧠āϏā§āĻ āĻāϤā§āĻā§ āĻĻā§āĻāϤ⧠āĻĒāĻžāϰ,
When yellow leaves, or none, or few, do hang
āϝāĻāύ āĻšāϞā§āĻĻ āĻĒāĻžāϤāĻžāĻā§āϞāĻŋ, āĻŦāĻž āύā§āĻ, āĻŦāĻž āĻ
āϞā§āĻĒ āĻâāĻāĻž, āĻā§āϞ⧠āĻĨāĻžāĻā§,
Upon those boughs which shake against the cold,
āϏā§āĻ āĻĄāĻžāϞā§, āϝā§āĻā§āϞāĻŋ āĻ āĻžāύā§āĻĄāĻž āĻŦāĻžāϤāĻžāϏ⧠āĻā§āĻāĻĒā§ āĻāĻ ā§,
Bare ruined choirs, where late the sweet birds sang.
āĻļā§āύā§āϝ, āϧā§āĻŦāĻāϏāĻĒā§āϰāĻžāĻĒā§āϤ āĻāĻŋāϰā§āĻāĻžāϰ āĻā§āϰāĻžāϏā§āϰ āĻŽāϤā§, āϝā§āĻāĻžāύ⧠āĻāĻāϏāĻŽāϝāĻŧ āĻŽāϧā§āϰ āĻĒāĻžāĻāĻŋāϰāĻž āĻāĻžāύ āĻā§āϝāĻŧā§āĻāĻŋāϞāĨ¤
1st Quatrain â
Autumn and Old Age
In the first quatrain, the poet compares himself to late autumn. At this time of year, the trees have very few leaves. Most of the leaves are yellow or have already fallen. The branches look bare and shake in the cold wind. Earlier, birds sang on those branches, but now they are silent and empty, like ruined church choirs. Through this image, the poet suggests that his life has reached old age. His youthful energy has gone, just like the leaves and birds. The mood is sad but realistic, showing the decline of strength and joy.
(āĻĒā§āϰāĻĨāĻŽ āĻāϤā§āώā§āĻĒāĻĻā§āϤ⧠āĻāĻŦāĻŋ āύāĻŋāĻā§āĻā§ āĻĻā§āϰāĻŋ āĻļāϰāϤā§āϰ āϏāĻā§āĻā§ āϤā§āϞāύāĻž āĻāϰā§āĻā§āύāĨ¤ āĻŦāĻāϰā§āϰ āĻāĻ āϏāĻŽāϝāĻŧā§ āĻāĻžāĻā§ āĻā§āĻŦ āĻ
āϞā§āĻĒ āĻĒāĻžāϤāĻž āĻĨāĻžāĻā§āĨ¤ āĻŦā§āĻļāĻŋāϰāĻāĻžāĻ āĻĒāĻžāϤāĻž āĻšāϞā§āĻĻ āĻšāϝāĻŧā§ āĻā§āĻā§ āĻŦāĻž āĻāϰ⧠āĻĒāĻĄāĻŧā§āĻā§āĨ¤ āĻĄāĻžāϞāĻā§āϞ⧠āĻĢāĻžāĻāĻāĻž āĻĻā§āĻāĻžāϝāĻŧ āĻāĻŦāĻ āĻ āĻžāύā§āĻĄāĻž āĻšāĻžāĻāϝāĻŧāĻžāϝāĻŧ āĻā§āĻāĻĒā§ āĻāĻ ā§āĨ¤ āĻāĻā§ āϏā§āĻ āĻĄāĻžāϞ⧠āĻĒāĻžāĻāĻŋāϰāĻž āĻāĻžāύ āĻāĻžāĻāϤ, āĻāĻŋāύā§āϤ⧠āĻāĻāύ āϏā§āĻā§āϞ⧠āύāĻŋāϏā§āϤāĻŦā§āϧ āĻāĻŦāĻ āĻļā§āύā§āϝ, āϝā§āύ āĻā§āĻā§ āĻĒāĻĄāĻŧāĻž āĻāĻŋāϰā§āĻāĻžāϰ āĻā§āϰāĻžāϏāĨ¤ āĻāĻ āĻāĻŦāĻŋāϰ āĻŽāĻžāϧā§āϝāĻŽā§ āĻāĻŦāĻŋ āĻŦā§āĻāĻžāϤ⧠āĻāĻžāύ āϝ⧠āϤāĻžāϰ āĻā§āĻŦāύ āĻŦāĻžāϰā§āϧāĻā§āϝ⧠āĻĒā§āĻāĻā§āĻā§āĨ¤ āϤāĻžāϰ āϝā§āĻŦāύā§āϰ āĻļāĻā§āϤāĻŋ āĻāϞ⧠āĻā§āĻā§, āĻ āĻŋāĻ āϝā§āĻŽāύ āĻĒāĻžāϤāĻž āĻāϰ āĻĒāĻžāĻāĻŋāϰāĻž āĻšāĻžāϰāĻŋāϝāĻŧā§ āĻā§āĻā§āĨ¤ āĻĒāϰāĻŋāĻŦā§āĻļāĻāĻž āĻŦāĻŋāώāĻŖā§āĻŖ āĻšāϞā§āĻ āĻŦāĻžāϏā§āϤāĻŦāϏāĻŽā§āĻŽāϤ, āϝāĻž āĻļāĻā§āϤāĻŋ āĻ āĻāύāύā§āĻĻā§āϰ āĻā§āώāϝāĻŧāĻā§ āĻĢā§āĻāĻŋāϝāĻŧā§ āϤā§āϞā§āĨ¤)
Word Notes:
That time of year : season, period : āĻāϤā§, āϏāĻŽāϝāĻŧ
thou mayst behold : you can see, observe : āϤā§āĻŽāĻŋ āĻĻā§āĻāϤ⧠āĻĒāĻžāϰ
yellow leaves : autumn leaves : āĻšāϞā§āĻĻ āĻĒāĻžāϤāĻž
or none, or few : very few or none : āĻāĻā§āĻŦāĻžāϰā§āĻ āĻāĻŽ āĻŦāĻž āύā§āĻ
do hang : are attached, remain : āĻā§āϞ⧠āĻĨāĻžāĻāĻž
boughs : branches : āĻĄāĻžāϞāĻĒāĻžāϞāĻž
shake against the cold : tremble in the cold wind : āĻ āĻžāύā§āĻĄāĻžāϝāĻŧ āĻā§āĻāĻĒā§ āĻāĻ āĻž
bare : empty, without leaves : āĻāĻžāϞāĻŋ, āĻĒāĻžāϤāĻž āĻŦāĻŋāĻšā§āύ
ruinâd choirs : destroyed choir, empty choir : āϧā§āĻŦāĻāϏāĻĒā§āϰāĻžāĻĒā§āϤ āĻā§āϰāĻžāϏ
where late the sweet birds sang : where birds used to sing recently : āϝā§āĻāĻžāύ⧠āĻāĻāϏāĻŽāϝāĻŧ āĻŽāϧā§āϰ āĻĒāĻžāĻāĻŋāϰāĻž āĻāĻžāύ āĻāĻžāĻāϤ
behold = see, observe (āĻĻā§āĻāĻž)
boughs = branches (āĻĄāĻžāϞāĻĒāĻžāϞāĻž)
bare = empty (āĻĢāĻžāĻāĻāĻž/āĻļā§āύā§āϝ)
choirs = singing groups (āĻāĻžāϝāĻŧāĻāĻĻāϞ)
2nd Quatrain
In me thou seeâst the twilight of such day,
āĻāĻŽāĻžāϰ āĻŽāϧā§āϝ⧠āϤā§āĻŽāĻŋ āĻāĻŽāύ āĻĻāĻŋāύā§āϰ āϏāĻžāĻāĻ āĻĻā§āĻāϤ⧠āĻĒāĻžāĻ,
As after sunset fadeth in the west,
āϝā§āĻŽāύ āϏā§āϰā§āϝāĻžāϏā§āϤā§āϰ āĻĒāϰ āĻĒāĻļā§āĻāĻŋāĻŽā§ āĻŽāĻŋāϞāĻŋāϝāĻŧā§ āϝāĻžāϝāĻŧ,
Which by and by black night doth take away,
āϝāĻž āĻļāĻŋāĻāĻāĻŋāϰāĻ āĻāĻžāϞ⧠āϰāĻžāϤ āĻā§āϰāĻžāϏ āĻāϰ⧠āĻĢā§āϞā§,
Deathâs second self, that seals up all in rest.
2nd Quatrain â
Twilight and Death Approaching
In the second quatrain, the poet compares himself to twilight, the evening light after sunset. At this time, the glow of day slowly fades in the western sky. Very soon, night takes over and covers everything in darkness. Here, night is described as âdeathâs second self,â which brings sleep and finally rest to all living beings. By using this image, the poet suggests that his life is now in its evening stage. Just as twilight is close to night, his old age is very close to death. The tone is calm and thoughtful, not fearful, showing quiet acceptance.Â
(āĻĻā§āĻŦāĻŋāϤā§āϝāĻŧ āĻāϤā§āώā§āĻĒāĻĻā§āϤ⧠āĻāĻŦāĻŋ āύāĻŋāĻā§āĻā§ āϏāĻžāĻāĻāĻŦā§āϞāĻžāϰ āϏāĻā§āĻā§ āϤā§āϞāύāĻž āĻāϰā§āĻā§āύ, āĻ āϰā§āĻĨāĻžā§ āϏā§āϰā§āϝāĻžāϏā§āϤā§āϰ āĻĒāϰā§āϰ āĻā§āώā§āĻŖ āĻāϞā§āĨ¤ āĻāĻ āϏāĻŽāϝāĻŧ āĻĻāĻŋāύā§āϰ āĻāĻāĻž āϧā§āϰ⧠āϧā§āϰ⧠āĻĒāĻļā§āĻāĻŋāĻŽ āĻāĻāĻžāĻļā§ āĻŽā§āϞāĻžāύ āĻšāϝāĻŧā§ āϝāĻžāϝāĻŧāĨ¤ āĻ āϞā§āĻĒ āϏāĻŽāϝāĻŧā§āϰ āĻŽāϧā§āϝā§āĻ āϰāĻžāϤ āύā§āĻŽā§ āĻāϏ⧠āĻāĻŦāĻ āϏāĻŦāĻāĻŋāĻā§āĻā§ āĻ āύā§āϧāĻāĻžāϰ⧠āĻĸā§āĻā§ āĻĢā§āϞā§āĨ¤ āĻāĻāĻžāύ⧠āϰāĻžāϤāĻā§ āĻŦāϞāĻž āĻšāϝāĻŧā§āĻā§ âāĻŽā§āϤā§āϝā§āϰ āĻāĻžāϝāĻŧāĻž,â āϝāĻž āϏāĻāϞ āĻā§āĻŦāĻā§ āĻā§āĻŽ āĻāĻŦāĻ āĻāĻŋāϰāĻļāĻžāύā§āϤāĻŋ āĻĻā§āϝāĻŧāĨ¤ āĻāĻ āĻāĻŦāĻŋāϰ āĻŽāĻžāϧā§āϝāĻŽā§ āĻāĻŦāĻŋ āĻŦā§āĻāĻžāϤ⧠āĻāĻžāύ āϝ⧠āϤāĻžāϰ āĻā§āĻŦāύ āĻāĻāύ āϏāĻžāĻāĻāĻŦā§āϞāĻžāϝāĻŧ āĻĒā§āĻāĻā§āĻā§āĨ¤ āϝā§āĻŽāύ āϏāĻžāĻāĻā§āϰ āĻĒāϰāĻ āϰāĻžāϤ āĻāϏā§, āϤā§āĻŽāύāĻŋ āĻŦāĻžāϰā§āϧāĻā§āϝā§āϰ āĻĒāϰāĻ āĻŽā§āϤā§āϝ⧠āĻāϏā§āĨ¤ āĻāĻŦāĻŋāϰ āϏā§āϰ āĻļāĻžāύā§āϤ āĻ āĻāĻžāĻŦāύāĻžāĻŽāϝāĻŧ, āĻāϝāĻŧā§āϰ āύāϝāĻŧ, āĻŦāϰāĻ āύā§āϰāĻŦāĻāĻžāĻŦā§ āĻŽā§āύ⧠āύā§āĻāϝāĻŧāĻžāϰāĨ¤)
Word Notes:
In me thou seeâst : you can see in me : āϤā§āĻŽāĻŋ āĻāĻŽāĻžāϰ āĻŽāϧā§āϝ⧠āĻĻā§āĻāϤ⧠āĻĒāĻžāϰ
twilight of such day : evening light, dusk : āĻĻāĻŋāύā§āϰ āϏāĻžāĻāĻāĻŦā§āϞāĻž, āĻā§āϧā§āϞāĻŋ
after sunset : following the sunâs setting : āϏā§āϰā§āϝāĻžāϏā§āϤā§āϰ āĻĒāϰ
fadeth : slowly disappears, dims : āϧā§āϰ⧠āϧā§āϰ⧠āĻŽā§āϞāĻžāύ āĻšāϝāĻŧā§ āϝāĻžāĻāϝāĻŧāĻž
in the west : in the western sky : āĻĒāĻļā§āĻāĻŋāĻŽ āĻāĻāĻžāĻļā§
by and by : soon, shortly : āĻļāĻŋāĻāĻāĻŋāϰāĻ
black night doth take away : night comes and covers everything : āϰāĻžāϤ āύā§āĻŽā§ āĻāϏ⧠āĻāĻŦāĻ āϏāĻŦ āĻĸā§āĻā§ āĻĢā§āϞā§
Deathâs second self : symbol of death : āĻŽā§āϤā§āϝā§āϰ āĻāĻžāϝāĻŧāĻž
that seals up all in rest : brings complete rest, like sleep : āϝāĻž āϏāĻŦāĻžāĻāĻā§ āĻāĻŋāϰāĻļāĻžāύā§āϤāĻŋāϤ⧠āĻāĻā§āĻāĻžāĻĻāĻŋāϤ āĻāϰā§
twilight = dusk, evening glow (āĻā§āϧā§āϞāĻŋ)
fadeth = disappears, vanishes (āĻŽā§āϞāĻžāύ āĻšāϝāĻŧā§ āϝāĻžāĻāϝāĻŧāĻž)
black night = darkness (āĻ
āύā§āϧāĻāĻžāϰ āϰāĻžāϤ)
seals up = closes, ends (āĻŦāύā§āϧ āĻāϰā§, āϏāĻŽāĻžāĻĒā§āϤ āĻāϰā§)
3rd Quatrain
In me thou seeâst the glowing of such fire,
āĻāĻŽāĻžāϰ āĻŽāϧā§āϝ⧠āϤā§āĻŽāĻŋ āĻāĻŽāύ āĻāĻ āĻāĻā§āύā§āϰ āĻāϞ⧠āĻĻā§āĻāϤ⧠āĻĒāĻžāĻ,
That on the ashes of his youth doth lie,
āϝāĻž āϤāĻžāϰ āϝā§āĻŦāύā§āϰ āĻāĻžāĻāϝāĻŧā§āϰ āĻāĻĒāϰ āĻĒāĻĄāĻŧā§ āĻāĻā§,
As the death-bed whereon it must expire,
āϝā§āύ āϏā§āĻ āĻļāϝā§āϝāĻž, āϝā§āĻāĻžāύ⧠āϤāĻž āύāĻŋāĻā§ āϝāĻžāĻŦā§,
Consumâd with that which it was nourishâd by.
āϝāĻž āĻāĻāϏāĻŽāϝāĻŧ āϝ⧠āĻāĻŋāύāĻŋāϏ⧠āĻŦā§āĻāĻā§āĻāĻŋāϞ, āĻāĻāύ āϏā§āĻ āĻāĻŋāύāĻŋāϏā§āĻ āĻļā§āώ āĻšāϝāĻŧā§ āϝāĻžāĻā§āĻā§āĨ¤
3rd Quatrain â
Fire Burning Out
In the third quatrain, the poet compares himself to a dying fire. At first, fire burns bright, but slowly its flames become weak. Finally, only glowing ashes remain. These ashes rest on the wood that once fed the fire. This image shows that death is very near. The poet feels that his body is like the dying fire, losing its warmth and power. Just as ashes cover the last sparks, age covers the last strength of life. The poet accepts this truth calmly. The picture suggests the natural end of human life, with quiet sadness and wisdom.
(āϤā§āϤā§āϝāĻŧ āĻāϤā§āϰā§āĻĻāĻļāĻĒāĻĻā§āϤ⧠āĻāĻŦāĻŋ āύāĻŋāĻā§āĻā§ āĻāĻāĻāĻŋ āĻŽā§āϞāĻžāύ āĻšāϝāĻŧā§ āĻāϏāĻž āĻāĻā§āύā§āϰ āϏāĻā§āĻā§ āϤā§āϞāύāĻž āĻāϰā§āĻā§āύāĨ¤ āĻļā§āϰā§āϤ⧠āĻāĻā§āύ āĻāĻā§āĻā§āĻŦāϞāĻāĻžāĻŦā§ āĻā§āĻŦāϞ⧠āĻāĻ ā§, āĻāĻŋāύā§āϤ⧠āϧā§āϰ⧠āϧā§āϰ⧠āϤāĻžāϰ āĻļāĻŋāĻāĻž āĻĻā§āϰā§āĻŦāϞ āĻšāϝāĻŧā§ āĻāϏā§āĨ¤ āĻļā§āώ⧠āĻļā§āϧ⧠āĻĻāĻĒāĻĻāĻĒā§ āĻāĻžāĻāĻā§āĻā§ āĻ
āĻŦāĻļāĻŋāώā§āĻ āĻĨāĻžāĻā§āĨ¤ āĻāĻ āĻāĻžāĻ āĻĒāĻĄāĻŧā§ āĻĨāĻžāĻā§ āϏā§āĻ āĻāĻžāĻ ā§āϰ āĻāĻĒāϰ, āϝāĻž āĻāĻāϏāĻŽāϝāĻŧ āĻāĻā§āύāĻā§ āĻā§āĻŦāĻžāϞāĻžāύāĻŋ āĻā§āĻāĻŋāϝāĻŧā§āĻāĻŋāϞāĨ¤ āĻāĻ āĻāĻŋāϤā§āϰ āĻŽā§āϤā§āϝ⧠āϝ⧠āĻā§āĻŦ āύāĻŋāĻāĻā§, āϤāĻž āĻĒā§āϰāĻāĻžāĻļ āĻāϰā§āĨ¤ āĻāĻŦāĻŋ āĻ
āύā§āĻāĻŦ āĻāϰā§āύ āϤāĻžāϰ āĻĻā§āĻš āϝā§āύ āϏā§āĻ āύāĻŋāĻā§ āĻāϏāĻž āĻāĻā§āύ, āϝāĻž āĻāώā§āĻŖāϤāĻž āĻ āĻļāĻā§āϤāĻŋ āĻšāĻžāϰāĻžāĻā§āĻā§āĨ¤ āϝā§āĻŽāύ āĻāĻžāĻ āĻĸā§āĻā§ āĻĻā§āϝāĻŧ āĻļā§āώ āĻā§āĻŦāĻžāϞāĻžāϰ āĻāϞā§āĻā§, āϤā§āĻŽāύāĻŋ āĻŦāĻžāϰā§āϧāĻā§āϝ āĻĸā§āĻā§ āĻĻā§āϝāĻŧ āĻā§āĻŦāύā§āϰ āĻļā§āώ āĻļāĻā§āϤāĻŋāĻā§āĨ¤ āĻāĻŦāĻŋ āĻļāĻžāύā§āϤāĻāĻžāĻŦā§ āĻāĻ āϏāϤā§āϝ āĻŽā§āύ⧠āύā§āύāĨ¤ āĻāĻ āĻāĻŦāĻŋ āĻŽāĻžāύā§āώā§āϰ āĻā§āĻŦāύā§āϰ āϏā§āĻŦāĻžāĻāĻžāĻŦāĻŋāĻ āϏāĻŽāĻžāĻĒā§āϤāĻŋ āύāĻŋāϰā§āĻĻā§āĻļ āĻāϰā§, āϝāĻž āύā§āϰāĻŦ āĻŦāĻŋāώāĻžāĻĻ āĻ āĻĒā§āϰāĻā§āĻāĻžāϝāĻŧ āĻāϰāĻžāĨ¤)
Word Notes:
In me thou seeâst : you can see in me : āϤā§āĻŽāĻŋ āĻāĻŽāĻžāϰ āĻŽāϧā§āϝ⧠āĻĻā§āĻāϤ⧠āĻĒāĻžāϰ
glowing of such fire : faintly burning fire, last flames : āĻā§āώā§āĻŖāĻāĻžāĻŦā§ āĻā§āĻŦāϞāϤ⧠āĻĨāĻžāĻāĻž āĻāĻā§āύ
on the ashes of his youth : resting on the remains of youth : āϝā§āĻŦāύā§āϰ āĻāĻžāĻāϝāĻŧā§āϰ āĻāĻĒāϰ āĻāϰ āĻāϰāĻž
doth lie : rests, is placed : āĻŦāĻŋāĻļā§āϰāĻžāĻŽ āύāĻŋāĻā§āĻā§, āϰāĻžāĻāĻž āĻāĻā§
as the death-bed : like the bed of death : āĻŽā§āϤā§āϝā§āĻļāϝā§āϝāĻž āĻŽāϤā§
whereon it must expire : where it must die, come to an end : āϝā§āĻāĻžāύ⧠āϤāĻž āύāĻŋāĻā§ āϝāĻžāĻŦā§
consumâd with : destroyed by, used up by : āϧā§āĻŦāĻāϏāĻĒā§āϰāĻžāĻĒā§āϤ, āĻļā§āώ āĻšāϝāĻŧā§ āϝāĻžāĻāϝāĻŧāĻž
that which it was nourishâd by : that which once gave it life and energy : āϝāĻž āĻāĻāϏāĻŽāϝāĻŧ āϤāĻžāĻā§ āϞāĻžāϞāύ-āĻĒāĻžāϞāύ āĻāϰā§āĻāĻŋāϞ
glowing = shining, burning faintly (āĻŽā§āϞāĻžāύ āĻāϞ⧠āĻāĻĄāĻŧāĻžāύā§)
ashes = burnt remains (āĻāĻžāĻ)
expire = die, end (āĻļā§āώ āĻšāĻāϝāĻŧāĻž/āĻŽā§āϤā§āϝā§āĻŦāϰāĻŖ āĻāϰāĻž)
nourishâd = fed, sustained (āϞāĻžāϞāύ-āĻĒāĻžāϞāύ āĻāϰāĻž)

Concluding (Couplet)
This thou perceivâst, which makes thy love more strong,
āϤā§āĻŽāĻŋ āĻāĻāĻž āĻŦā§āĻāϤ⧠āĻĒāĻžāϰ, āϝāĻž āϤā§āĻŽāĻžāϰ āĻĒā§āϰā§āĻŽāĻā§ āĻāϰāĻ āĻĻā§āĻĸāĻŧ āĻāϰ⧠āϤā§āϞā§,
To love that well which thou must leave ere long.
Concluding (Couplet) â
Love Becomes Stronger
In the concluding couplet, the poet gives the main message of the sonnet. He says that when people realize life is short and death is near, they learn to love more strongly and deeply. The awareness of death makes love more valuable. Knowing that time together will not last forever, people hold on to each other with greater care. Shakespeare suggests that true love grows when we accept the truth of mortality. This couplet connects all the images of autumn, twilight, and dying fire. It teaches that the end of life is not only sad but also a reason to love fully.
(āĻļā§āώ āĻĻā§āĻāĻŋ āĻĒāĻāĻā§āϤāĻŋāϤ⧠āĻāĻŦāĻŋ āϏāύā§āĻāĻāĻŋāϰ āĻŽā§āϞ āĻŦāĻžāϰā§āϤāĻž āĻĻā§āύāĨ¤ āϤāĻŋāύāĻŋ āĻŦāϞā§āύ, āϝāĻāύ āĻŽāĻžāύā§āώ āĻŦā§āĻāϤ⧠āĻĒāĻžāϰ⧠āϝ⧠āĻā§āĻŦāύ āĻā§āĻ āĻāĻŦāĻ āĻŽā§āϤā§āϝ⧠āύāĻŋāĻāĻā§, āϤāĻāύ āϤāĻžāϰāĻž āĻāϰāĻ āĻāĻā§āϰāĻāĻžāĻŦā§ āĻ āĻĻā§āĻĸāĻŧāĻāĻžāĻŦā§ āĻāĻžāϞā§āĻŦāĻžāϏāϤ⧠āĻļā§āĻā§āĨ¤ āĻŽā§āϤā§āϝā§āϰ āϏāĻā§āϤāύāϤāĻž āĻāĻžāϞā§āĻŦāĻžāϏāĻžāĻā§ āĻāϰāĻ āĻŽā§āϞā§āϝāĻŦāĻžāύ āĻāϰ⧠āϤā§āϞā§āĨ¤ āĻāĻāϏāĻā§āĻā§ āĻĨāĻžāĻāĻžāϰ āϏāĻŽāϝāĻŧ āĻāĻŋāϰāĻāĻžāϞ āĻĨāĻžāĻāĻŦā§ āύāĻž āĻā§āύ⧠āĻŽāĻžāύā§āώ āĻāĻā§ āĻ āĻĒāϰāĻā§ āĻāϰāĻ āϝāϤā§āύ āĻāϰ⧠āϧāϰ⧠āϰāĻžāĻā§āĨ¤ āĻļā§āĻā§āϏāĻĒāĻŋāϝāĻŧāĻžāϰ āĻŦā§āĻāĻžāϤ⧠āĻāĻžāύ āϝā§, āĻŽā§āϤā§āϝā§āϰ āϏāϤā§āϝ āĻŽā§āύ⧠āύāĻŋāϞ⧠āϏāϤā§āϝāĻŋāĻāĻžāϰā§āϰ āĻĒā§āϰā§āĻŽ āĻāϰāĻ āĻļāĻā§āϤāĻŋāĻļāĻžāϞ⧠āĻšāϝāĻŧāĨ¤ āĻāĻ āĻļā§āώ āĻĒāĻāĻā§āϤāĻŋ āĻļāϰā§, āϏāĻžāύā§āϧā§āϝāĻāϞ⧠āĻāϰ āύāĻŋāĻā§ āϝāĻžāĻāϝāĻŧāĻž āĻ āĻā§āύāĻŋāĻļāĻŋāĻāĻžāϰ āϏāĻŦ āĻĒā§āϰāϤāĻŋāĻā§āĻāĻŦāĻŋāĻā§ āϝā§āĻā§āϤ āĻāϰā§āĨ¤ āĻāĻāĻŋ āĻļā§āĻāĻžāϝāĻŧ āϝ⧠āĻā§āĻŦāύā§āϰ āĻļā§āώ āĻā§āĻŦāϞ āĻĻā§āĻāĻāĻāύāĻ āύāϝāĻŧ, āĻŦāϰāĻ āĻĒā§āϰā§āĻŖāĻāĻžāĻŦā§ āĻāĻžāϞā§āĻŦāĻžāϏāĻžāϰāĻ āĻāĻāĻāĻŋ āĻāĻžāϰāĻŖāĨ¤)
Word Notes:
This thou perceivâst : you realize this, you understand : āϤā§āĻŽāĻŋ āĻāĻāĻŋ āĻāĻĒāϞāĻŦā§āϧāĻŋ āĻāϰāĻ
which makes thy love more strong : which strengthens your love :
āϝāĻž āϤā§āĻŽāĻžāϰ āĻāĻžāϞā§āĻŦāĻžāϏāĻžāĻā§ āĻāϰāĻ āĻĻā§āĻĸāĻŧ āĻāϰā§
to love that well : to love deeply and sincerely : āĻāĻā§āϰāĻāĻžāĻŦā§ āĻ āĻāύā§āϤāϰāĻŋāĻāĻāĻžāĻŦā§ āĻāĻžāϞā§āĻŦāĻžāϏāĻž
which thou must leave ere long : which you will have to leave soon : āϝāĻž āϤā§āĻŽāĻžāĻā§ āĻ āϞā§āĻĒ āϏāĻŽāϝāĻŧā§āϰ āĻŽāϧā§āϝ⧠āĻā§āĻĄāĻŧā§ āϝā§āϤ⧠āĻšāĻŦā§
perceive = understand, realize (āĻ
āύā§āϧāĻžāĻŦāύ āĻāϰāĻž)
strong = powerful, firm (āĻļāĻā§āϤāĻŋāĻļāĻžāϞā§, āĻĻā§āĻĸāĻŧ)
ere long = soon, before long (āĻļāĻŋāĻāĻāĻŋāϰāĻ)
SOURCE-WBCM

 Škamaleshforeducation.in(2023)

